Game Audio

I’m a Game Audio Designer, Composer and Music Producer with a background in Music Technology& Creative Practice and over 10 years working in the Audio Industry. 

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My work sits across sound design, music, recording and production. Over the past three years, I’ve worked on TANUKI: Pon’s Summer, contributing 250+ sound effects across UI, environments, objects and gameplay, as well as recording and designing Foley, composing bespoke music and creating music for the game's trailers and marketing. I’ve also worked on interactive musical material, including orchestral and rock arrangements designed to work together during BMX gameplay.

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Alongside game audio, I’m an experienced musician and producer. I work from my own recording studio, where I compose, record, produce, mix and master music across a range of genres. I also play and teach drums and guitar, and have performed and toured nationally. My background in music technology has given me a broad understanding of recording, sound, synthesis, production and audio workflows.

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My experience also extends beyond the studio. I previously worked at PMT Online (Play Music Today) in technical sales and support, giving me experience working with musicians, audio equipment and technology while communicating technical information to a wide range of people.

Teaching has similarly developed my ability to communicate ideas clearly and work collaboratively with people at different levels of experience.

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I’m naturally curious and enjoy working across both the creative and technical sides of audio. I’m particularly interested in how sound and music can work together to support gameplay, character and atmosphere, and I’m continuing to develop my skills in interactive audio and implementation using Unity and Wwise.

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I’m now looking to bring this broad creative and technical background into a permanent game audio role, while continuing to grow as a sound designer and composer.